Norwegian 1863-1944 Edvard Munch Locations Edvard Munch (pronounced , December 12, 1863 ?C January 23, 1944) was a Norwegian Symbolist painter, printmaker, and an important forerunner of expressionistic art. His best-known composition, The Scream is one of the pieces in a series titled The Frieze of Life, in which Munch explored the themes of life, love, fear, death, and melancholy. Edvard Munch was born in a rustic farmhouse in the village of Adalsbruk in Loten, Norway to Christian Munch, the son of a prominent priest. Christian was a doctor and medical officer, who married Laura Cathrine Bjølstad, a woman half his age, in 1861. Edvard had an older sister, Johanne Sophie (born 1862), and three younger siblings: Peter Andreas (born 1865), Laura Cathrine (born 1867), and Inger Marie (born 1868). Both Sophie and Edvard appear to have gotten their art talent from their mother. Edvard Munch was related to painter Jacob Munch (1776?C1839) and historian Peter Andreas Munch (1810?C1863). The family moved to Kristiania (now Oslo) in 1864 when Christian Munch was appointed medical officer at Akershus Fortress. Edvard??s mother died of tuberculosis in 1868, as did Munch's favorite sister Johanne Sophie in 1877. After their mother's death, the Munch siblings were raised by their father and by their aunt Karen. Often ill for much of the winters and kept out of school, Edvard would draw to keep himself occupied. He also received tutoring from his school mates and his aunt. Christian Munch also instructed his son in history and literature, and entertained the children with vivid ghost stories and tales of Edgar Allan Poe. Christian??s positive behavior toward his children, however, was overshadowed by his morbid pietism. Munch wrote, ??My father was temperamentally nervous and obsessively religious??to the point of psychoneurosis. From him I inherited the seeds of madness. The angles of fear, sorrow, and death stood by my side since the day I was born.?? Christian reprimanded his children by telling them that their mother was looking down from heaven and grieving over their misbehavior. The oppressive religious milieu, plus Edvard??s poor health and the vivid ghost stories, helped inspire macabre visions and nightmares in Edvard, who felt death constantly advancing on him. One of Munch's younger sisters was diagnosed with mental illness at an early age. Of the five siblings only Andreas married, but he died a few months after the wedding. Munch would later write, "I inherited two of mankind's most frightful enemies??the heritage of consumption and insanity." Christian Munch??s military pay was very low, and his attempts at developing a private side practice failed, keeping his family in perrenial poverty. They moved frequently from one sordid flat to another. Munch??s early drawings and watercolors depicted these interiors, and the individual objects such as medicine bottles and drawing implements, plus some landscapes. By his teens, art dominated Munch??s interests. At thirteen, Munch has his first exposure to other artists at the newly formed Art Association, were he admired the work of the Norwegian landscape school, and where he returned to copy the paintings, and soon he began to paint in oils.  Related Paintings of Edvard Munch :. | salome | Timberjack | signe thiel | Scenery of Aosike | Maduna |
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Adriaan de Lelie
was born at Tilburg in 1755, and was a scholar of Peeters, a painter of tapestries and ornaments, and afterwards of Quertenmont at Antwerp. He made copies of many of the portraits by Rubens and Van Dyck at Desseldorf, and also of historical pictures by Italian and Dutch masters. By the advice of Professor Camper, he established himself at Amsterdam, where he painted a great number of portraits and cabinet pictures; among the latter is one of the celebrated amateur Jan Gildemeester showing his collection to a party of ladies and gentlemen, in which the principal pictures are readily recognised. One of his best works is that representing the 'Drawing Academy' of the Felix Meritis Society at Amsterdam. His pictures are highly esteemed in Holland and Germany, where they are to be met with in the best collections. He died at Amsterdam in 1820.
Jean Broc
1771-1850 French French painter and designer. He came from a family of shopkeepers and tailors and he served in the Republican army during the wars of the Vendee. By 1798 he was a student of Jacques-Louis David, who provided a small apartment in the Louvre where Broc often lived. With a group of David students and some writers, Broc formed a dissenting sect called LES PRIMITIFS, Barbus (bearded ones), Meditateurs or Penseurs. Broc was typical of the Primitifs in finding inspiration in Greek vase painting and Italian 15th-century art.
Jacob de Backer
(c. 1555 - c. 1585) was a Flemish Mannerist painter and draughtsman active in Antwerp between about 1571 and 1585. According to the RKD he was born in Antwerp in c.1540/45 and died there c.1591-1600.De Backer was abandoned by his father as a young boy. Carel van Mander reports that the artist studied with Antonio van Palermo and Hendrik van Steenwijk I, but that Palermo worked him so hard that the young de Backer died in the arms of his master's daughter at the age of thirty. Although the artist painted in the high mannerist style of Giorgio Vasari, he never appeared to travel to Italy. A series of the "Seven Deadly Sins", however, was bought in Antwerp by Alessandro Farnese's secretary Cosimo Masi in 1594 and taken to Italy.These paintings are now in the Museo di Capodimonte in Naples. Other attributable works include a Last Judgment triptych by him or his studio for Christophe Plantin's tomb in the Antwerp Cathedral (c. 1589; illustrated right), and an Allegory of the Three Ages of Man in the Hermitage Museum, St. Petersburg. He is not to be confused with the Dutch Golden Age painter Jacob Adriaensz Backer from